
2026
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“Clara began as a commissioned portrait but evolved, as portraits often do, into something more universal. The sitter brought a quality of quiet presence that I wanted to honour — not merely to record her likeness but to capture the interior world that lay behind her gaze. There is a tradition in Scottish portraiture of treating the subject with dignity and psychological depth, and that is what I was reaching for: a painting that Clara herself might feel truly seen within.”
— Ramsay Allan